通過獨特的設計形式,良好的標志vi設計可以吸引眼球,從而贏得更多的合作機會,讓消費者口口相傳。一個成功的標志vi設計不僅能體現企業的意義,而且能夠成為企業的無形資產。
As such, her works mingle iconography of innocence with that of death and the macabre: Alice’s wonderland is suddenly a dystopian hell.
In recent years Le Roy has also taken to making her works even more haunting by rendering them as 3D images, creating oil paintings that come to life when the viewer dons 3D glasses. A number of these works are currently on show at the Forman’s Smokehouse Gallery in east London in an exhibition entitled The Disenchanted Forest, showcasing the artist’s simultaneous explorations of childhood stories and the more adult recesses of the human mind.
Many of the women that take on the roles of characters like Snow White, Little Red Riding Hood and Alice in Wonderland are Le Roy’s friends, some dating back to her days living in a squatted part of the old Chelsea Art School building. And while they’re dark – disturbing, even – there’s a large dose of humour in Le Roy’s work, especially in their titles. Among our favourites are the Little Mermaid parody, entitled Whoring Ariel, and Red Riding Hood who didn't make it to grandma’s, an image that conjures up a fairytale heroine who has long ceased to give a fuck.
廣州vi設計公司認為企業想要讓品牌設計更加成功,就不僅要做到重視標志vi設計,還要做好logo設計、vi設計、品牌設計所需各種要求,站在消費者的角度思考,做出真正適合企業的標志vi設計,成為消費者青睞的品牌。
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